Chow Tai Seng’s Qixi landscape jewels: blue-green enamel meets gold
The Fu Yun Guo Bao collection translates A Thousand Li of Rivers and Mountains into floral pendants, a lock form and paired rings. This addition retains the official publication date of 21 August.
A landscape at jewellery scale
On 21 August 2026, Chow Tai Seng announced Qixi additions to its Fu Yun Guo Bao landscape collection. The brand translates Wang Ximeng’s A Thousand Li of Rivers and Mountains into coloured bands and contours on gold, describing 5D hard gold, CNC work, graduated enamel, relief and openwork. This is the announcement date, not a verified first-sale date for every model.
Two pendants, different open spaces
Qinglü Haitang centres on a flower-shaped opening, framed by tiny gold beads and an outer curved edge. Blue-green enamel crosses the gold surface. In the source image, the landscape leaves much of the textured gold visible, making colour a guide rather than a continuous painted field.
Jinxiu Shanhe uses a crescent-like auspicious lock outline. The brand describes a satin-textured front with blue-green enamel and a landscape engraved on the back. The official front view shows the beaded edge and open proportions; the reverse description comes from the text, not a photograph of the back.
Mountain forms on paired rings
Jiangshan Yingcui paired rings reduce mountain peaks to rising lines, contrasting matte gold with patches of blue-green. Official product images show the women’s and men’s versions separately, while the news image shows the pair. The open construction and relief description are supplied by the brand.
Qinglü Jiangshan paired rings carry graduated enamel along gold mountain forms. The brand also mentions a begonia motif inside the band. The news images concentrate on the exterior, with no separate inside close-up or wearing photograph. All relevant originals are retained without substituting images of another collection.
JEWEL DAILY perspective
For JEWEL DAILY, the distinction lies in how the motif meets volume: pendants use openings and edge texture to spread out the landscape, while rings compress it into a readable everyday contour. The four matching product photographs accompany all five news images so readers can compare the forms.
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Article language：简体中文
周大生七夕上新，千里江山演绎中式浪漫美学
周大生七夕上新，千里江山演绎中式浪漫美学
以物载情，是中国文化千百年来的传统。从《诗经》“投我以木桃，报之以琼瑶”的互通款曲，到汉代“何以结中心，素缕连双针”的缠绵心事，器物虽小，承载的却是含蓄的浪漫心意。千年之后的七夕，这份传统仍在延续。周大生携福韵国宝系列-千里江山主题产品浪漫赴约，于青山绿水间寄托相思。
这次承载的浪漫情意，源于九百多年前的青绿山水。《千里江山图》作为青绿山水画的巅峰之作，呈现千山万壑、江河交错的壮阔景象，不仅是中国艺术史上的璀璨瑰宝，更凝结着中国人对天地自然的敬畏，以及对“行稳致远”人生境界的追求。周大生福韵国宝系列-千里江山主题的七夕新品以此传世名画为创作蓝本，在千里江山1.0版本的基础上实现全面升级。色彩层面，在保留最具辨识度的青绿色主调基础上，以不对称镶嵌和渐变效果模拟山色苍翠；工艺层面，融合5D硬金、CNC精雕与分层青绿渐变珐琅等多重工艺，打造逼真的山水纹理与细腻通透的青绿层次；廓形层面，运用浮雕、镂雕等技法塑造层次分明的立体度，还原画中山峦的层叠感与纵深感。《千里江山图》走出了博物馆的展柜，化作绕指柔、颈间翠，成为可随身佩戴的东方雅趣。
青绿海棠：海棠花开，福运绵延
海棠在中国人的记忆里，向来有“海棠纳福”的吉祥寓意。青绿海棠挂坠取海棠花瓣为形，以青绿色渐变珐琅勾勒远山轮廓，将《千里江山图》的山水意境融于花瓣金面之上。CNC工艺精雕铺陈出细密的流光纹理，还原古卷质感；青绿色渐变珐琅沿花瓣轮廓蜿蜒流转，由浓及淡，如远山含翠。花瓣边缘以珠边工艺细细勾勒，柔和的线条中透着一份工整。青绿海棠挂坠将花的温婉与山的旷远合于一处，尽显东方含蓄之美。七夕之夜，以这一枚海棠为礼，祝福爱侣““福运绵延，一生圆满”。愿情意如海棠经雨，愈见明艳；如青山着黛，历久弥新。
锦绣山河：锁纳平安，小满即圆
锦绣山河挂坠取月牙平安锁之形，锁面以手工缂丝纹理铺底，青绿色渐变珐琅在其上描绘江山，如一幅微缩画卷徐徐展开。缂丝自古便为皇家御用工艺，细腻还原丝织质感，光而不耀；青绿珐琅晕染由浓及淡，通透如雨后青山。背面以符号化山形錾刻，与正面画意形成虚实对照，一繁一简，恰到好处。一轮锦绣揽山河，以此锁传情，惟愿爱至圆满，四季顺遂。
江山映翠：青山绿水，携手共览
江山映翠对戒将千里江山微缩于指环之上。戒面以层峦叠嶂之形入画，青绿珐琅勾勒山峦纹路，如青山蜿蜒流转，尽显东方山水的绵延意境。戒身肌理细腻，层次饱满；线条利落，开口可调，兼顾舒适度和简约感。层叠山形寓意胸怀丘壑、志向高远；山势渐起，寄寓生活如画卷展开，步步向上。在七夕时戴上江山映翠对戒，指间的青绿山色道尽“与你共览千里江山”的浪漫期许。愿携手之人，同历山河远阔，共度四时流转。
青绿江山：山水不改，此心不移
另一款青绿江山对戒，同样取青绿山水入题。戒面采用哑光古法金为胚底，以青绿珐琅填充山形，还原青山之韵；内侧錾刻海棠纹饰，福气萦绕于指间。青山为誓，山水不改，此心不移。愿执手之人，共历山河远阔，也共度寻常朝暮。
器以载道，物以传情。周大生以福韵国宝系列-千里江山主题新品承载相思，于七夕之际浪漫传情。自《千里江山图》问世以来，山水未改其色，情意未失其重。这份跨越时空的东方浪漫，被周大生千里江山主题产品续写，生生不息。
Image · Source
Qinglü Haitang · Pendant texture and openwork
Chow Tai Seng / 周大生
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